Storytelling has many legs;
each of which are meant to carry an audience to some conclusion. The trick for
the storyteller is to unravel his/her story in a manner true to himself. Too
often, writing magazines and how-to seminars advocate that the writer must
slant his story to the needs of an audience. I think that’s the wrong approach.
I think the writer has to be true to his own vision and tell the story ‘As he
sees it.’
It’s a pattern and process that
happened to me a (relatively) long time ago and has been true ever since. This
first opportunity to tell a story in play form was initiated by the creation of
a senior ensemble of theater folks in our community. RAAC (the Rosemount
Area Arts Council) had just created a second theatrical group called Second Act
Players. They were looking at material for their first production.
I thought I might write a play based on an idea that had crept into my
brain a long time ago and lodged there. The storyline was simple enough. An
aging old woman who never really gave up her old hippie lifestyle finds herself
in an over-55 senior living facility. The storyline incorporated many elements
I found interesting such as the old hippie movement, distain for ill-gotten
authority, a push-back against old age, etc.
A simple synopsis of the play would read as follows: The quiet setting
of this over-55 senior community is disrupted by an aging hippie named Sage.
Since Sage arrived at the senior community strange things have started to
happen. Sage’s nemesis is Margaret Maple; self-appointed rule-enforcer who is
determined to get Sage kicked out of the complex.
Their conflict comes to a rollicking climax when the administration is
supposed to kick Sage out but Sage has some shocking surprises which will blow
people’s minds and destroy all of Margaret’s plans.
Encouraged by the success of ‘Riot’, I forged ahead with another idea
of a class reunion. Room 210 was my own homeroom in high school. So, in this
new play, room 210 is the home room where a small group of alumni gather during
their 50-year high school reunion. Tension, anticipation and past animosities
fill the room along with unrequited love and hope for the future. Each
returning alumni has a different story to tell, some more revealing than others.
Batting a double run thus far, I chose to explore ‘end of life’ options
facing four older women in their retirement years. The storyline is simple
enough: Four women in a nursing home agree to support one another as the end of
their lives gets closer. A mysterious woman (the Scooter Lady) offers them
wisdom and advice for the hereafter.
Polly’s Amorous Adventures is about a polyamorous relationship gone
south. Polly is in a polyamorous relationship with two men but she is not able
to address the issue of jealousy. Polly’s mother and girlfriend only add to
Polly’s mounting frustration with this issue.
The story synopsis is, on the surface, simple enough. Two older single
gay men find themselves alone and in need of companionship. One has a younger
boyfriend who is using him. An older woman tries to help the men explore the
simple joy of friendship. Nominated for six awards from the Desert Theater
League. Won ‘best award’ for theatrical production.
These past plays plus a plethora of new ones prompted me to create a
new Sell Sheet for all of my available plays. In the meantime, I’ve added
another element to the theatrical equation; song-writing. PTV is my first play
to include nine original songs written in collaboration with a very talented
singer/songwriter here in Minnesota. I hope ‘By the Salton Sea’ will be my
second one.
Storytelling is a personal journey inside one’s head. It’s a vision,
often times, augmented, enhanced, stilted and clipped short by the author’s own
psychic. But it is his/her story to tell. One can only hope that it is a
message/tale that resonates with the audience. But, as long as it rings true to
the author, it’s a story worth sharing.
1 comment:
Love the sell sheet to highlight your plays!
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