Most of us have
a musical window inside our head. It’s that time period when music played a
critical role in imprinting images and emotions into our brain. These are feelings
that generally stay with us for the rest of our lives. My musical window
extends from roughly the mid-fifties through the sixties. Folk music, now labeled
Americana music, was one of the driving forces behind my rabid interest in
music of many different genres, styles, and forms.
I recently
finished a book that brought back a lot of memories of that period and some
interesting footnotes for that style of music. It’s called: ‘Always A Song; My
Story of the Folk Music Revival by Ellen Harper.’ Ellen is an accomplished folk
singer and mother of Ben Harper, another well-known singer in that tradition.
One of the
dichotomies of that period was the conflict between the folk purists and the
new musical explorers. While I couldn’t define or even explain it, folk music
struck an emotional chord with me. As the book points out: ‘Many in this
largely affluent, well-educated, and restless generation, seeking inspiration
and hope, embraced the authenticity of folk music as a powerful medium for
expression.’ But storm clouds were on the horizon.
The book
continues: ‘There has always been a tension between what is considered
authentic and what is thought of as commercial. The folk music revival is a
story of blurred lines, and navigating those often poorly defined boundaries as
complicated. There can’t be a folk music revival without the music industry.’
Authentic folk
singers such as Pete Seeger, Bud and Travis, The Steeple Singers, Hedy West,
the New Lost City Ramblers, Woody Guthrie, Cisco Huston, and many more were
always on the hunt for traditional material. They mined the hills of
Appalachia, the printed volumes of English, Welsh, Irish and Scottish music and
other cultural artifacts for long lost musical treasures. The thought seemed to
be that if it wasn’t over a hundred years old, it wasn’t authentic.
I, on the other
hand, was raised on the button-down folk groups like the Kingston Trio, Chad
Mitchell Trio, Peter, Paul and Mary and many others of their style. Folk
purists thought these new groups had sold out with their crass
commercialization of their traditional music. I found the music easy to listen
to, with a message that grabbed me on an emotional level that few other
experiences had before that.
Folk music has
been around forever but changes shape and form as new generations discover its
power amid its simplicity. A new trend I’ve discovered on my Facebook newsfeed
are the offers of free music from these folk types with only charges for
shipping.
The old
mechanism of music publishing and distribution has been thrown for a loop with
the advent of the internet, YouTube and other streaming services like Spotify
and Apple Music. If I want to check out a group, old or new, I can either go to
their web page or YouTube to see and hear them. Singers today must be their own
best advocate with their home page on the internet and other means of reaching
their intended audiences.
Talk about
coming around full circle. So, here I am at age Eighty-One trying my hand at
writing lyrics and creating songs of that style and period. I’ve been so
fortunate to have met a fellow traveler who has been an enormous help in
crafting nine original songs for one of my plays.
I’ve also
written a play about an aging folk group still trying to make a dent in the
music business. It’s a combination folk concert and a play. Both plays PTV and
Tangled Roots are looking still for a home.
Added to that
rucksack of stumbling ambition, my mind (as untethered as it is) has wandered
off in a totally different direction. It’s the creation of a full-blown album
called: ‘Made in Minnesota.’ My fantasy is that it would highlight periods,
incidents, fellow travelers of my past through songs. It would be wrapped up in
the cloak of folk and its universal themes of love lost and found, the angst of
youth and pleasures of being raised in the North Country.
Where it might
go is anyone’s guess at this point in its development.
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