Sharon
is finding her muse once again with new approaches to her painting. In the
beginning, it was welding and metal art. Then it was making collages out of old
National Geographic magazines. The particular arts and crafts exercise didn’t
really matter as long as they suited her fancy…if even for the moment.
Sharon
first became a metal head after a career in academia and business. She learned
to pinch metal around stone like Giacometti and apply torching like Motherwell.
She was comfortable with heavy metal in her hands and blue-yellow flames framing
her face.
A
couple of years ago Sharon took classes from Vesper College located in the
heart of Nordeast. Vesper is one of those non-profit schools offering classes
in such esoteric areas as metal bending, torching, welding and stone
sculpturing. Sharon loved it…and I love the fact that she’s found a new outlet
for her creative juices.
Now
she has expanded her creative expression far beyond metal art. The medium that
Sharon pursues is less important than the act or process that she goes through
to get there. She began with classes on alcohol ink painting at the old NKB
(Northrup King Building) in NordeEast Minneapolis.
Alcohol
ink is an acid-free, highly pigmented, and fast drying medium used on
non-porous surfaces. By mixing alcohol inks an artist can create a vibrant
marbled effect. For many enthusiasts, it’s a new way of artistic
self-expression. It means discovering the almost magical ethereal mutations that
take place when alcohol colors mix and integrate into themselves. It’s layering
colors, mixing tones and textures, morphing shapes and sizes into a
kaleidoscope of bastardized offspring’s
of color. For its many disciples the process is full of constant discovery and,
often times, pure amazement at the results. It’s like trying to cup liquid
lightning in your hands.
By
the end of this last season in Palm Springs, Sharon had expanded her artistic
expression to cover a gamut of new avenues. She moved from the Palm Springs Art
Center to specialized classes to her own roughhewn studio in our garage.
Then
this spring, she discovered the White Bear Center for the Arts and a new medium
called ‘cube art.’ Now it’s exploring new techniques at the Plaster Center for
the Arts and International Market Square where some of her work is being
displayed.
But
it always seems to come back to Norde East and the NKB building. Even as the
neighbor-hood grows with its artistic enclaves and new breweries, it retains
its old charm.
Little
has changed there since I camped out near the University of Minnesota. It’s the
same old neighborhood just 55 years later. Millennials are rediscovering the
place where they can be urban and ‘in the city.’ With establishments like
Psycho Suzi’s Motor Lounge and Fried Bologna Vintage, how could they go wrong?
Fifty
years after the West Bank of the University of Minnesota harbored the
disenfranchised, the hippies, and other malcontents of a similar ilk that
population or their decedents have now moved to the Northeast part of
Minneapolis. In an unplanned, almost organic metamorphosis of a cityscape, this
unwashed morass of creativity has moved west. Old Nordeast, an eclectic enclave
of blue-collar Eastern European nationalities, has become the new West Bank.
But
instead of hippies, now people of color, Hispanics, artists of every variety,
house flippers, yoga gurus, craft beer specialists, software developers, and
other creative types are flocking to the area. A new variety of business has
also sprung up whose main purpose is to breathe life into the arts for a whole
new generation, young and not so young. These include art classes of every
type, including metal sculpting.
The
roughhewn, anti-fashion, individualistic, truth-seeking individuals whom I find
so fascinating all hang out there. Now my wife does too. It’s not as compact as
Dinky town but the atmosphere is much the same. It’s almost as if inquiring
minds once again scream for an exploration of life’s truths in that modern version
of old Bohemia.
So
while I’m there I want to soak up the atmosphere and perhaps build a nest
someplace where I can just write to my heart’s content. It seems like a good
place to explore the recesses of one’s mind, mining
whatever thoughts and ideas might be lingering there. I’ve got a companion in
the arts now, sharing the same excitement I feel every time I put finger to pen
or keyboard.
Strange
how after fifty plus years, some things change and yet many things remain the
same. Now I get to explore my creative self with Sharon alongside me doing the
same.