It
always looks so easy because the media wants us to believe it is. House flippers
flip and make a fortune overnight. Writers pen the great American novel without
breaking a sweat, directors create a one of-a-kind film just as planned and
songwriters simply pen a classic on a whim. We want to believe that a
playwright’s magic on Broadway was a simple journey from pen to stage.
Few
of us truly understand the panic, fear, exhilaration, heartbreak and hope that
goes into creating a work of art. We don’t want to hear about the years spent
toiling in the graveyard of broken dreams, spent efforts and abject failures
before something, if anything, ever happens from all that soul-crushing effort.
It’s all made to look so easy. We
seldom, if ever, hear about the many miles traveled before success is reached.
Instead every artist is presented as an overnight success.
It’s
called “hiding the brush strokes.” Ignoring the harsh reality that in real life
there are no guarantees and nothing is owed. Those with grit get it. Those
lacking that ‘something within’ keep dreaming and hoping then wonder why
nothing ever happens. Without real effort and sacrifice and usually some
failure nothing is accomplished.
Dustin
Hoffman spent ten years toiling in off-Broadway plays before ‘The Graduate’
launched his storybook career. George Lucas went through hell to get his first
feature ‘THX 1138’ produced. When it crashed as a commercial failure, he wrote
another movie initially called ‘Friday Night in Modesto’ and finally produced
it as ‘American Graffiti.’ Even that success didn’t guarantee any support for
his next feature about space ships and large furry sidekicks.
Bob
Dylan paid his dues in Dinky town and Greenwich Village before a planted review
by Robert Sheldon rocketed his career into the folkie stratosphere. The Beatles
spent two years toiling in the graveyard of Hamburg’s strip clubs and dive bars
before Brian Epstein plucked them out of the ‘Cellar’ and made them stars.
Closer
to home and more personal, the examples are all around me.
I’ve
seen Sharon start with her welding and metal art classes several years ago then
recently expand to alcohol ink painting. From there she has experimented with
acrylic paints and a host of other mediums and techniques to constantly
challenge herself.
She
is taking classes here and there to share ideas, glean tips and advice from the
professionals. She is constantly learning, improving and growing her art.
After
several years, she now has some of her select painting on display and for sale
at a design store in Minneapolis. A small step but a start.
Ever
the educator, Sharon has shared that same philosophy of discipline and
perseverance with our grandchildren. Very quickly, they’ve become attentive
students of Nana and have begun exploring various artistic mediums themselves.
My
art is the written word. My mediums are primarily novels, plays and movies.
Each presents its own unique set of challenges and opportunities for
story-telling. Through good fortune and lucky breaks, I’ve had two plays
produced by the Second Act Players in Rosemount. Each was a wonderful learning
experience and another opportunity to express myself.
But
there were ten self-published books, an Investment Guide and numerous
treatments before those two initial plays paved the way for more playwriting
opportunities.
I
teach in my workshop on ‘How to Get Started as a Writer’ that the key to
writing is to write. I make the point right up front that there are no
guarantees and no promises. I can only point the way for my audience. I remind
them that there are three things needed to become a writer.
Desire…but
they won’t know if they have it unless they give it a try.
Perseverance…they
won’t know if they have it unless they try.
Talent…they
won’t know if they have it unless they give it a try.
The
key here is to write something every day, almost every day or whenever they
can. If they do that they will begin to feel a passion that gets them out of
bed each morning. They will have begun traveling on that long road to becoming
a writer. That’s called showing your brush strokes.
As
with any kind of art, nothing is guaranteed or comes easy. That’s life. But
what a gift it is to create something, anything, that’s been swirling around in
your brain for oh so long.
Let’s
face it, there is no better way to live than to do whatever it is you love to
do. Isn’t that what life is all about.
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