I plead guilty. And after observing some of the lives around
me, I am more than content to continue fighting that long slow slide toward
mediocrity. Without dwelling there, I think I can revisit my past, reflect on
the good and the bad planted there and still relish my present situation.
I thought about that when I read Scott McKenzie’s obituary
in the San Francisco Examiner a couple of weeks ago. It’s a heck of a thing
when one song can perfectly encapsulate the soul of a city. San Francisco has
two such songs.
The first was “I Left My Heart in San Francisco” by Tony
Bennett. Tony’s song, although great make-out music, was really for the old
guard. The more mature, three-piece suit and formal dress folks who sipped
martinis and talked race horses. That was their world. Mad Men, anyone?
On the other hand, Scott McKenzie’s song helped define my
generation. Or at least a large part of my generation. It gave San Francisco
its moniker as the epicenter of the 1960’s counterculture. The city has always
been a kind of border town, attracting both freaks and fearless alike. It still
harbors that open, accepting attitude for folks of all kinds. Boulder,
Colorado, boasts a bumper sticker which reads, “Keep Boulder Weird.” San
Francisco has been weird since its gold rush days.
Scott’s song was able to capture that very brief period in 1967 when flowers were in bloom and flower children captured our imagination. The sixties was a magical time at the Presidio of San Francisco and San Francisco in general. I was very lucky to experience both of them briefly when I was in the service and stationed at the Presidio.
Without really knowing it, I was experiencing the whole
pre-hippie era, mixing and mingling with hippies and diggers, black panthers
and anti-war activists, Berkeley intellectuals and disciples of the Age of
Aquarius. All from the security of an army bunk at the Presidio.
The Presidio of San Francisco (originally called El Presidio
Real de San Francisco) is a former military base located on the northern tip of
the San Francisco Peninsula.
Originally built as a Spanish Imperial Outpost from 1776 to
1821, the Presidio was the Spanish empire’s northernmost military outpost. In
1821, the Presidio changed from Spanish to Mexican sovereignty. Then during the
Mexican-American War in 1846, the army took over the post and occupied it until
1972 when it was included within the boundaries of the Golden Gate National
Recreational Area. In 1996, it was formally closed and transferred to the National
Park Service.
I only spent a very brief period of my lost years at the
Presidio. It was between the summer of 1964 and spring of 1965. I had just left
basic training at Fort Leonard Wood, Missouri (affectionately known as the
armpit of the army) and was being transferred to the Presidio of San Francisco
(romanticized as the country club of the army, which it was!). I would later be
transferred to Fort Polk, Louisiana (correctly known as the a…… of the army).
As an Information Specialist in the Command Information
Office, I had a nine to five job and plenty of spare time to explore my newly
adopted cityscape. The view from my office was spectacular. For the relatively
brief time I was there, I managed to pack in a lot of experiences.
Unfortunately I only captured a few of them on film.
Before the service, I had never been out of Minnesota, flown
in an airplane or done a cross country road trip. San Francisco opened my eyes
to a wondrous new world all around me. It defined the beginnings of my
wanderlust and a quest to answer those long dormant hunger pangs.
In a very short time, I became one of the wealthiest men in
my barracks – in service lingo. I had a library of over 100 paperback books
available for lending out, a record collection of: 45 rpm hits, a Vespa motor
scooter and most importantly, a second job at an art theater.
That job earned me almost one hundred dollars a month after
taxes. I was saving my army pay of eighty dollars a month and only spending
part of my secondary income. I was the classic big fish in a small khaki pond.
The Larkin Theater was an art house theater that specialized in foreign films. Most of the time, two girls and I ran the place. At least the owner let us believe we did. My job was ticket taker, usher, janitor, Saturday morning phone secretary and overall gopher. The two ticket takers (whose names I’ve long since forgotten) were high schoolers working part-time until they could squeak through 12th grade and move on to cosmetology school. Our backgrounds were similar and we became comrades in the arts.
I absolutely loved my job. It was my first introduction to
foreign films, which I love to this day. Ninety percent of my films from
Netflix are foreign films.
In 1964, Haight-Ashbury was just a nondescript street corner
in a rundown part of town. I went there many times to hang out with a couple of
ex-servicemen. They had girlfriends upstairs and weed in the fridge. And a lot
of very strange visitors. A quiet night was lounging in their hammocks,
drinking cheap wine and listening to jazz or pre-psychedelic rock and roll.
When we were buzzed enough, I’d climb aboard my Vespa and
weave my way back to the Presidio, hoping that neither cop nor curb would
curtail my long ride home. I’m embarrassed by my actions now but back then it
was all part of the lifestyle of any service man on the loose in the big city.
With my Vespa under foot, I began exploring the city. Flying
up and down the hills, I rode through the Marina, the Palace of Fine Arts
(before restoration), Nob Hill, Market Street, Golden Gate Park and the beach.
Just to name a few. Back then, I was probably riding too fast, drinking and
driving and never wearing a helmet. Fortunately, I survived the stupidity of my
youth.
I traveled up and down the coast on weekends, south down to
Half Moon Bay and north up to Sausalito, Stinson Beach, Mount Tamalpais and the
numerous World War Two fortifications across the bay from the Presidio.
Back then, Sausalito was just a small town across the bay.
It began as a ship repair yard during World War Two and grew exponentially
after that. By the early sixties a lot of the Beats had migrated from San
Francisco to Sausalito. They hung out in the dank dreary bars and coffee shops
that dotted the waterfront.
Everyplace I’ve lived, visited or hung around has had its
fair share of characters. The Presidio was no different.
My entrepreneurial skills were nothing compared to the young
dark-skinned fellow who always had several girlfriends in his posse. He lent
them out to friends and associates-for a price. We thought he was quite a
businessman back then. Today you’d just call him a pimp.
There was the natural born hustler who worked evenings
attending to the mainframe (pre) computer in company headquarters and then did
other people’s KP duty (kitchen patrol) five days a week. His going rate was
$25.00 dollar cash per day, non-negotiable. He always had willing takers lined
up outside his barracks door. That’s $500.00 cash per month – back in 1964. And
he didn’t pay taxes on it either!
I befriended an angry black man who hated whites. Go figure.
He liked me because I wanted to be a writer. He was a writer and felt a kinship
to my vernacular struggles despite my pale skin.
I envied the two GIs whose sole job was to travel each day
to Sausalito to maintain the general’s yacht docked there. They were even
allowed to take it out for a cruise just to test the engines. I begged to go
along but they always refused my request. Something about their Golden Egg.
There was a German immigrant who got drafted and meant to
better his English while serving his new found country. While he practiced his
diction on me, he introduced me to the arts in San Francisco. Together we
attended numerous plays, art gallery openings and museums. We saw “Fantasticks”
and the song “Try to Remember” broke my heart thinking about someone back
home. My friend was a lot smarter than I was but I think he found in me a
willing student to learn about the arts.
We had an illustrator in our barracks. He and I would get
into heated arguments all the time because he hated Joan Baez. Who doesn’t like
Joan Baez? Other than that, he was an incredibly talented artist and great guy
in his own right.
I befriended the intellectual of our group of malcontents.
Evenings and weekends, he was flipping Victorian houses, ‘Old Ladies,’ before
it became trendy. He invited me to join him in his real estate ventures. Like
an idiot, I said no because I had a real job. Besides, who makes money by
fixing up old houses in San Francisco and then selling them for three to four
times their purchase price?
We always laughed at the fellow who got blind drunk every
weekend. We thought it a bit obsessive but not particularly out of character
for the characters around us. Strange how attitudes change over time. Now I
feel nothing but compassion for him and wonder what must have become of him.
But most memorable, was the young female recruit in my
office, who was working her way up through the ranks (literally). She preferred
officers, especially the married ones whose wives were in other states. She had
no shame. She was a working girl. And very good at what she did. Mind you, her
typing skills were atrocious. Not that it mattered very much.
My stay in San Francisco ended all too quickly with marching
papers to Louisiana and an end to the wonderful fantasy world that had been all
mine for that brief period of time.
I’m grateful I was able to capture on film some of those
moments if for no other reason than to use them as screen savers and as an
excuse to reflect back on a time when peace and love ruled the world and a kid,
full of wild ideas, lived briefly in that city on the bay.