Leonard
Cohen found it with Suzanne. Bob Dylan
found it with Echo. I’m still searching for that iconic image to open yet
another Pandora’s Box in my writing. But until such time as it or she comes
into focus I still have a seemingly endless reservoir of my memories; real and
imagined, to guide me along.
It’s
been said that any iconic muse can be expendable as Suzanne was to Leonard
Cohen. By the time, Suzanne Verdal realized that she was the subject of such a
celebrated song, Leonard had moved on. It could be argued that the muse is
bigger than the poet/songwriter, at least in the mythology. The muse is the
source of what there is; the inspiration.
It
was Jung’s belief that the muse was the poet, or his anima anyway, his
unconscious image of the Feminine. It was himself that Leonard saw in the
mirror that Suzanne held. All of which raises some interesting questions. Is
the muse, any muse, a true reflection of one’s inner self? Is the muse a mirror
reflecting back into the soul of its possessor?
Allan
Showalter, a psychiatrist has stated: “The key task of a muse is to allow the
artist to see his own feminine aspect that is otherwise invisible to him and to
be a screen that fits the artist’s projections.” Another biographer of Leonard
Cohen explains: “The relationship between artist and muse is invariably
one-sided. For example, novelists shamelessly make characters out of family and
friends and acquaintances. In this case, Leonard the poet transformed the
physical Suzanne into the metaphysical “Suzanne” and made her an angel.
My
own mind and the memories locked there within have always provided me with
picture stories that paint a tapestry of thoughts and images. Those, in turn,
become my novels, plays and screenplays. I’ve often wondered just how much
‘stuff’ is buried back in the deep recesses of my memory bank that I will never
be conscious of. Many times there have been images, scenes, acts and actions
that seem to bubble up out of nowhere and just spill themselves onto my
computer pages. But where they come from? I have no idea.
What
released them from some dark craggy corner of my gray matter and nudged them to
the surface. Why now after sixty years of pent-up unexplored experiences have
the floodwaters of expression spilled out of my collective past and into daily
writing excursions? It’s become my drug of choice; a daily infusion of
image-making, story-telling and revelations. It is at once my elixir, aphrodisiac,
and pill of potential.
The
story material seems endless. What experiences did I have with acquaintances
past? What about those mindful and sometimes physical affairs with women? What
about love and betrayal and success and failure? How did they all play into
this alphabet stew that spills out in the words, actions, thoughts, and
emotions of my fictional characters?
If
there is a muse in my life I am unaware of it or her. Perhaps in my case, the
muse is simply iconic of all those experiences we euphemistically call life.
For with or without Suzanne, inspiration is where you find it or it finds you.
With my deep cauldron of life experiences I should have more than enough tales
to share.