Art and Palm Springs go together like the chemical reaction of alcohol ink spread out on a canvas. It’s a strange cornucopia of harsh geography, colorful history, and strange transplants that have transformed this stretch of desert into a playground for artists of every ilk.
On
the surface, Palm Springs is known as a desert oasis, fashionable resort town,
and global mecca for innovative modern architecture. The first settlers came
here and built adobe huts to live in. These eventually grew to include resorts
with high ceilings, swimming pools and tennis courts. Gradually a synergism
grew between the arid setting of the desert and the dwellings within it.
Among
the founders of Desert Modernism were Bauhaus-influenced architects Albert Frey
and E. Stewart Williams, whose legacies can still be seen in numerous public
and private structures around town. Yet beneath that façade of blue skies and
bright white modern buildings is an environment bubbling over with creative
endeavors from all the arts.
From
the outrageously expensive art pieces on El Paseo Drive in Palm Desert to the
rudimentary scratch pieces at the East Jesus outdoor gallery in Slab City,
artistic endeavors have taken on every imaginable form and fashion, shape and
design, subtle and in your face expressions of thought and ideas. Over time,
Palm Springs and its surrounding communities have carved out their own hotbeds
of artistic expression.
The
Backstreet Art district is located several miles from downtown Palm Springs in
an old strip shopping mall. There are dozens of artist-owned galleries and
working studios, which feature paintings, sculpture, photography, jewelry, ceramics,
as well as performing arts.
A
much larger area for artists is located at the Palm Springs Art Museum and
north of downtown in the Art and Design District. At one time this area was a
barren stretch of boarded up storefronts and half empty motels that offered
none of the glamor and cache of old or new Palm Springs. Over time that changed
and now the Uptown Art and Design District is a true enclave of galleries,
design shops, restaurants, and housing for the creative minded types.
The
Ultimate in artistic regeneration and commercial display is located down the
valley in Palm Desert. El Paseo Drive is a mile long commercial strip that is
generations and millions of dollars from the mud huts of early painters deep in
the desert. It is meant to embody the style and elegance of high society in the
desert. This art-strung boulevard houses over 250 retailers, professional
services, renowned restaurants and locally owned boutiques. It is the ultimate
avenue for anything and everything you never knew you needed or wanted.
Desert
art has come a long ways from those first ancient petroglyphs through ‘en plein
air’ to the rich tapestry of creative talent that resides here now. There are a
plethora of art shows, film festivals, world-class gallery and museum events,
rotating exhibitions, national touring and locally produced theater, classical
to contemporary music concerts, couture fashion shows and architecture and
design tours. The Southwest Arts
Festival is just one of a dozen or more art festivals throughout ‘the season.’
South
of Palm Springs and the Coachella Valley lies a cluster of primeval ancient
relics of art that confuse, shock and amuse the errant wanderer who happens
upon their grounds. I discovered that several years ago when I stumbled upon
several enclaves of mystery just south of the Salton Sea. It was a ‘Mad Max’
holiday replete with mummies at East Jesus, flying dune buggies, a
conflagration in Slab City and a death stare at Bombay Beach.
The
Salton Sea is California’s largest lake measuring more than 35 miles long and
15 miles wide in spots. It has a surface area of over 380 square miles and sits
at 332 feet below sea level. Today the salinity level of the sea stands at 45
ppt. Only the tilapia fish is able to survive in such waters. While fishing is
still good for the tilapia, fish kills continue to plague the area with their
harsh smells.
It
will take years, perhaps decades before the sea might possibly return to its
past glory. More feasibility studies will be made, more funding sought and
grand schemes hatched. The possibilities for commerce, recreation and
development are enormous. Until then the Salton Sea is a magical place for walk
the shoreline, observe the birds, and time your visit to avoid the smell of
dead fish littering the beaches.
Down
the dusty road from the Salton Sea is Salvation Mountain. This strange
collection of painted hills is one of the premiere examples of folk art in the
middle of nowhere America. The site has become a mecca for those influenced by
and intrigued with this kaleidoscope of painted hills, crude cave dwellings and
religious scripture. The cave’s paint can and hay bale construction would
challenge even the most daring of spelunkers. Who knew that such a place would
continue to draw visitors long after its creator had passed away?
The
artwork is made from adobe, straw and thousands of gallons of lead-free paint.
It was created by the late Leonard Knight (1931-2014). A deeply religious man,
Knight created an art piece that encompasses numerous murals and areas painted
with Christian sayings and Bible verses. Knight’s philosophy was built around
the ‘Sinners Prayer.’
Slab
City, otherwise known as ‘The Slabs’ is a snowbird campsite used by
recreational vehicle owners alongside squatters from across North America. It
takes its name from the concrete slabs that remain from an abandoned World War
II Marine barracks of Camp Dunlap.
It’s
estimated that there are about one and fifty permanent residents (squatters)
who live in the slabs year around. Some live on government checks, others just
want to live ‘off the grid’ and a few come to stretch out their retirement
income. The camp has no electricity, no running water, no sewers or toilets and
no trash pickup service. Sounds like a dry run for the apocalypse.
Despite
the free shoe tree on the way into town and the free library, most of the
residents have sectioned off their trailers, tents, and sleeping bags with
tires, pallets, or barbwire. Free is free unless it comes to their piece of the
desert then even squatters want their personal space recognized.
No
trip to Slab City would be complete with a swing by East Jesus. East Jesus has been described as an
experimental, sustainable art installation. East Jesus is a colloquialism for
the middle of nowhere beyond the edge of services. Made from discarded material
that has been reused, recycled or repurposed, East Jesus encourages visitors to
imagine a world without waste in which every action is an opportunity for
self-expression.
West
Satan is a simply a suburb of East Jesus. I found the art gallery there
fascinating and mind-expanding. It was tripping out without the acid and a
glimpse into the lives of those who don’t want to be a part of ‘any scene’ here
in fantasyland or the rest of the world.
I’ve
always been intrigued by a dark cluster of trailer homes strewn alongside the
Salton Sea half way to Slab City. ‘Bombay Beach, North Shore’ always seemed
like the perfect title for a play. With apologies to Slab City, Bombay Beach
isn’t much of an alternative. Its housing seems beaten down by the harsh
summers and its distance from civilization. I drove down its main street and
intended to stop to ask directions until I looked into the dead eyes of one
young woman shuffling down the gravel roadway. One stare was enough for me to
gun the engine and ‘get out of Dodge'.
Some
artists choose to express themselves and show their wares in galleries in the
valley or in remote spots like Slab City. Others are off radar and like it that
way. Whispers come from the mountains surrounding the Salton Sea as do siren
calls from the high desert.
The
high desert communities of the Morongo Valley, Yucca Valley, and Joshua tree
continue to attract musicians now as it has since the turn of the century. This
is another world of vast nothingness peppered with the sad remnants of past
lives. It’s a place where stillness thunders louder than the wind and God did
some of his finest paintings. It is a vast virtual sound studio for the
creative musician and blank canvas for artists of every discipline.
The
area is a mecca for aging rock stars and modern-day bohemians along with
ordinary people all in search of a new beginning. It’s the place where people
go to get lost and be creative.
Joshua
tree and these surrounding communities embrace another form of existence - all
of which is surrounded by endless horizons.
The
high desert of the Morongo Basin is like a modern day outback of more than 9.5
million acres of public land in the California desert. Its home to old walking
trails first used by Native Americans between seasonal encampments then
followed by Spanish explorers and finally 19th century gold seekers
and pioneers. Reminders of past human lives are everywhere.
Facing
the Morongo Basin across the valley floor is a little mountaintop community
called Idyllwild. On the surface it seems little different from the dozens of
other villages that lay scattered about the San Jacinto’s, San Bernardino’s or
Santa Rosa Mountains nearby.
There
is the usual façade of cute craft shops and art stores. Three-two taverns and
mom and pop restaurants lay hidden among the pines. Bait stores and gas
stations line the mountain lakes. But in Idyllwild something is different from
the norm. Behind the scenes live the hundreds of real artists who make up the
character of Idyllwild. It isn’t Greenwich Village or North Beach or the Uptown
Design District but it still has a unique character all of its own.
Idyllwild’s
artistic history goes back to the early 1940’s when the first artists came and
stayed to live and hone their craft. About that time Idyllwild became home to a
summer camp offering education in all forms of art and music. Over time other
artists arrived in the hamlet with their paints and sketch pads and well-worn
guitars. They carved a living out of the pine and granite and overwhelming
beauty of the place.
Complementing
the visual arts, other disciplines began to hone their craft and grow their own
businesses there. Film makers, theatrical entrepreneurs, actors and musicians
all added to that cauldron of creativity. Like some spontaneous combustion of
talent and mindset, Idyllwild became a mecca for those seeking the solitude of
the forest and the comradery of like-minded souls.
“Art
is a language that everyone speaks in one form or another.” So says Cat
Orlando, just one of a number of artists who have opened galleries or their own
exhibits recently in Idyllwild. Together they present a kaleidoscope of form
and function, color and texture, whimsical and serious, composition and
symbolism. There are works of art in acrylics, oils, stained glass, pottery,
metal works, alcohol ink, pencil drawings, photographs, 3-D and dottilism
objects…to name a few.
With
over eighteen different arts organizations, Idyllwild hosts a number of
festivals each year that focus on the arts and nature. Complementing the visual
arts scene is a plethora of live music and theater events. Film festival
fanatics find a perfect venue in the January Idyllwild Inter-national Film
Festival with between 175 and 180 films playing at different venues throughout
the community.
Yet
as much as time changes the flavor of art, Sharon and I still get to immerse
ourselves in the daily show all around us. Each morning, sunlight still dances
off the mountainsides, and then casts imaginative shadows over our lives.
It’s
like a new show that takes place every day and we get to be in the audience and
live it along with that celestial talent from above.
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